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Saskia Wilson

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Saskia Wilson

Saskia Wilson is a globally recognised photographer and filmmaker working across documentary, fine art, and commercial-based practices. Evoking a refined sense of balance, contemplation, and authenticity, her earthy portrait and landscape work locate subtle flourishes of beauty and human connection within everyday situations. 

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Connoisseur 

x Sickdogwolfman

"Years are remembered and defined by the trips I’ve made. Those first encounters with new places & people are transformative & invigorating. I’m always looking to capture the soul of a place — not simply tracing where I've been, but distilling that feeling of being there in a single image."

CONNOISSEUR x SICKDOGWOLFMAN

COUNTRY ROAD

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Swiss Airlines 

x Thjnk Zürich

SWISS AIRLINES — BRAND x THJNK ZÜRICH

SWISS AIRLINES — CABIN x THJNK ZURICH

SWISS AIRLINES x THJNK ZURICH

"I love the process of collaboration, especially that early phase when you’re bouncing the thought bubbles around. When you get to the making part, if everyone is looking for the same thing visually, there’s this shared language that emerges, like unlocking the matrix, and when that happens, it makes for really strong and beautiful imagery."

CHANDON x MADE THOUGHT, LONDON

CHANDON x MADE THOUGHT, LONDON

WATCH FILM

"My father is a painter, and my grandmother was an avid photographer. She gifted me her Yashica SLR, which opened me up to a medium for creating that not only brings me great joy on a personal level but that, at its best, has immense potential to promote social, cultural, political, and environmental change."

R.M. WILLIAMS x SPECIAL GROUP

VNTNR x PERNOD RICARD

TEMPORARY LIKE ACHILLES

ROSEWOOD HOTELS

SURFACE ET LUMIERE

"I love the process of collaboration, especially that early phase when you’re bouncing the thought bubbles around. When you get to the making part, if everyone is looking for the same thing visually, there’s this shared language that emerges, like unlocking the matrix, and when that happens, it makes for really strong and beautiful imagery."

"I love Hanya Yanagihara's novel A Little Life, particularly this moment, which describes watching the sun setting on a train carriage: 'He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine.' She articulates the kind of magic a certain light can bring to seemingly mundane subjects."

"I had an idyllic childhood growing up in Northern NSW. All the usual stuff— exploring the bush, climbing trees, jumping off the rope swing at the local waterhole. It happened quite organically as I started shooting, but it's clearer to me now that I've sought to recreate that sense of freedom and childlike wonder in my work."

THERE IS ONLY THIS TIME

SALLY ANDERSON

WATCH THE FILM

"I had an idyllic childhood growing up in Northern NSW. All the usual stuff— exploring the bush, climbing trees, jumping off the rope swing at the local waterhole. It happened quite organically as I started shooting, but it's clearer to me now that I've sought to recreate that sense of freedom and childlike wonder in my work."

"My father is a painter, and my grandmother was an avid photographer. She gifted me her Yashica SLR, which opened me up to a medium for creating that not only brings me great joy on a personal level but that, at its best, has immense potential to promote social, cultural, political, and environmental change."

COUNTRY ROAD II

For the full experience — view a larger selection Saskia's work on the desktop version of our site.

 

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saskiawilson.com
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